Jingtian Zong is an artist-researcher who roams the wormholes of technology, memory, censorship, and invisible bodies through a diasporic feminist perspective.
Jingtian graduated from NYU Shanghai with a BS in Interactive Media Arts (IMA) in 2019, reflecting on and . Awarded an IMA fellowship, she stayed in Shanghai for three years, during which she erased faces in socialist China, on unoccupied post-pandemic streets, signs of micropolitics in local neighborhoods, and with academic red tape.
In the summer of 2022, Jingtian relocated to California for her MFA studies in Environmental Art and Social Practice (EASP) at UC Santa Cruz. As part of her migration, she lived and investigated in the American highway dream.
Jingtian’s most recent work focuses on alternative cyberfeminist imaginations. Combining artistic research, writing, and , she questions how cyborgs and glitches would survive a tightened cyberspace, inviting awareness and workarounds on censorship-induced data loss for a sustainable feminist future.
Jingtian graduated from NYU Shanghai with a BS in Interactive Media Arts (IMA) in 2019, reflecting on and . Awarded an IMA fellowship, she stayed in Shanghai for three years, during which she erased faces in socialist China, on unoccupied post-pandemic streets, signs of micropolitics in local neighborhoods, and with academic red tape.
In the summer of 2022, Jingtian relocated to California for her MFA studies in Environmental Art and Social Practice (EASP) at UC Santa Cruz. As part of her migration, she lived and investigated in the American highway dream.
Jingtian’s most recent work focuses on alternative cyberfeminist imaginations. Combining artistic research, writing, and , she questions how cyborgs and glitches would survive a tightened cyberspace, inviting awareness and workarounds on censorship-induced data loss for a sustainable feminist future.
CV ༊*·˚
Born in Hefei, Anhui, China. Currently based in San Francisco / Santa Cruz, California.
+ EDUCATION
University of California Santa Cruz (MFA Candidate Environmental Art and Social Practice) 2022-now
New York University Shanghai (BS Honors Interactive Media Arts) 2015-2019
New York University (study abroad) 2017-2018
University College of London (summer programme) 2017
+ PEDAGOGICAL PRACTICE
Teaching Assistant, UC Santa Cruz, CA 2022.09-now
Science Internship Program Mentor (project), UC Santa Cruz, CA 2023.06-2023.08
Interactive Media Arts Fellow, NYU Shanghai, SH 2019.09-2022.08
Transmedia Art Instructor, Oriental Danology Institute, SH 2019.07-2020.09
Winter Teaching Camp Mentor, PEER China, Hunan 2015.12-2016.01
+ CURATORIAL EXPERIENCE
Research Assistant & Gallery Host, Institute of Contemporary Arts at NYU Shanghai, SH 2022.02-2022.07
Curatorial Intern (project), Himalayas Museum, SH 2016.12-2017.02
+ SELECTED EXHIBITIONS
(upcoming) 2024 Search Party, Mary Porter Sesnon Gallery, Santa Cruz
2023 Futurescapes, Institute of the Arts and Sciences, Santa Cruz
2022 Stepping Through, Gravy Gallery, Santa Cruz
2021 Identity Removing System, Hefei Museum of Contemporary Art, Hefei
2021 Beacon of Signs, Free-Down Space, Shanghai
2021 Unlinked, NYU Shanghai, Shanghai
2020 Console.log, West Bund Art Center, Shanghai
2020 Periferias Festival, Marvão, Portugal
2019 IMA Capstone Show, NYU Shanghai, Shanghai
2019 CINEMQ Screening No.28: KIN, Shanghai
2019 Critica Festival, Shanghai
+ CONFERENCE & WORKSHOP PRESENTATIONS
(upcoming) Permanent Migration of Records and Digital Representations: Decomposing the Coloniality of Fixed Archival Knowledge. EASST-4S: Making and Doing Transformations. Amsterdam, July 16-19, 2024.
Future Nostalgia and Present Utopia: Reimaging Futurism in Film and New Media. University of Pittsburgh, September 23–24, 2023.
Decolonizing Digital Archives. Critical Media Lab, Basel Academy of Art and Design FHNW, August 21-25, 2023.
+ PUBLICATIONS
(upcoming) Work-in-progress essay on Chinese cyberfeminism. Feminist Media Histories, winter 2024.
MsGlitch403. Co-created with Irayna Lin, Susan Chen, Lydia Pochueva, and Joey Ye. Cyberfeminism Index, 2023.
Project NoCode. Things will Work Out Tomorrow: A Growing Collection of StepBackForward Methodologies. Hong Kong: StepBackForward.art, June 2021.
Project NoCode. StepBackForward, Hong Kong, 2021.
+ INDUSTRIAL PROJECTS
Production Assistant (project), North Kingdom, SH 2019.07-2019.08
Creative AR Intern, AIWAYS, SH 2019.01-2019.04
Video Production Intern, MANA, SH 2018.09-2019.01
Post Production Assistant (project), Aronson Film Associates, NY 2018.01-2018.05
+ FELLOWSHIPS, GRANTS & AWARDS
2023 Create Grant, Arts Council Santa Cruz County
2023 Arts Dean’s Fund for Equity and Excellence, UC Santa Cruz
2022 Coha-Gunderson Prize in Speculative Futures, UC Santa Cruz
2022 Arts Research Institute Graduate Fellowship, UC Santa Cruz
2019 Latin Honors: Magna Cum Laude, NYU Shanghai
2019 Founders’ Day Award, NYU
2019 Audience’s Choice Award, NYU Shanghai Undergraduate Research Symposium
2017 - 2018 Dean’s Undergraduate Research Fund Scholarship, NYU Shanghai
2015 - 2018 Dean’s List for the Academic Year, NYU Shanghai
2015 Freshman Merit Scholarship, NYU Shanghai
+ OTHER EXPERIENCE
2021 Peer Reviewer, NIME Conference, Shanghai
。・゚゚・ ・゚゚・。 Full CV available upon request.